WIP color comp cut-out character for a freelance animation project. Hand-drawn and edited, textured and colored in Photoshop. The character will be assembled and rigged in After Effects for cut-out style animation.
For ‘Sunset Stories’ I created animated end titles and animated sequences. Not all of the animated sequences made it into the final cut of the film, however, and the kiss scene and fight scene shown in this post were sadly cut from the film.
Above is a cutout animation character called ‘Chaz’ for the opening tile sequence that I am animating for the independent film, ‘Cooler’. I am also animating several animated sequences within the film.
This model sheet shows my cutout character design process and includes my initial character design hand drawn on paper with pencil, pen and ink, the cutout body bits colored and textured in Photoshop and the final character rig assembled in After Effects. I’ve also included screen shots of the cutout character in Photoshop (with the live action character reference) and the rigged character in After Effects.
The above character design is Miss Lotto. She was one of the characters that never made it into the final cut. Miss Lotto is a very simple cut-out character composited and animated in After Effects. Miss Lotto was drawn in Photoshop with a Wacom, lightly textured in Photoshop, cut out and then all her girly bits were imported into After Effects.
The above is a still from one of the animated sequences I illustrated and animated for Jeffrey Blitz’s new documentary, Lucky. Lucky premiered at Sundance 2010. I was fortunate to work again as an animator and illustrator with Bill Barminski from Walter Robot on this production and it was also great working with Jeffrey Blitz. I found Jeffrey to be a very intelligent and challenging director. The sequences were animated in After Effects, with the illustrations drawn and colored/textured in photoshop.
The reviews of Lucky have been positive and it seems people also liked the animated sequences, as this review from Scott Weinberg testifies “with nifty animated interstitials full of interesting jackpot stats.” You can read Scott’s full review here: